For the 2012 vintage we will be moving into a new cuverie in Savigny-lès-Beaune which is being built as we speak. We will be sharing the space with fellow nano-négociants Chanterîves founded by two of my best friends in the world, Guillaume Bott and Tomoko Kuriyama. If you haven’t checked out their wines yet, please do. Jancis Robinson selected their 2010 Bourgogne Rouge her “Wine of the Week” recently. Not bad for a first vintage, huh?

We are currently set to move into the new winery in late July. The main space, where the crane is in this photo, will be the “crush pad” for grape processing, tanks, wooden fermenters etc. The barrel room will be temperature controlled and will be where the metal supports in the bottom left of the photo currently are and in the top right is a small office. It will be great to actually have some space and not have to squeeze into our current tiny garage set-up.

The larger space will allow us to add a bit more wine for 2012 and I am currently hunting for some old Premier Cru vines in the Côte de Beaune to add a white and red Premier Cru in addition to my Savigny-lès-Beaune villages white and red.

Very exciting times for Le Grappin indeed!

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I just returned from a freezing trip to Savigny-lès-Beaune. One of the days I was there the thermometer in my cuverie had a maximum of -6ºC! Uttering the very Burgundian expression ça caille (literal meaning – it curdles) was well and truly appropriate!

Luckily in February it is too early for budbreak and late enough that all of the sap will be in the roots of the vines thus the vines are pretty safe from these tough conditions. In December of 2009 Burgundy got a big cold spell like this but since all the sap had not descended many vines died; some vineyards saw 25-40% mortality rates and one in Beaune died off in it’s entirety.

In the cuverie, the cold made the wines very difficult to taste so I had to revert to using a hair dryer to warm up samples for some visiting importers! The benefit of all the cold weather is that any unstable tartaric acid will have precipitated out of the wine. In Australia or the USA, one would have to use refrigeration to hold the wine below 3ºC for a couple of weeks to achieve the same result to avoid the risk of “wine diamonds” appearing later in bottle.

Both the red and whites have not finished malolactic fermentation (where lactic acid bacteria turn the hard malic acid into the softer lactic acid) and as such they are still works-in-progress. I am particularly excited however by the Savigny-lès-Beaune blanc which is taut and mineral but since November it has put on some body and weight to balance the wine’s acidic backbone. I still think 2011 is going to be a stunning year for Savigny-lès-Beaune blanc. Lucky I have 9 barrels!

 

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So all the wine has finished ferment and is safely in barrel for winter. As I prepare to head back to London, here are some of my thoughts on 2011.

With regards to the weather, what a crazy year we had! Moderate temperatures over winter and a warm spring meant we saw one of the earliest bud breaks on record coupled with a very dry spring putting the vines in stress mode from the get-go. A hot June, a wet July and an indifferent August saw some very confused vines deciding to shut down for the year with the grapes not gaining any sugar accumulation from the last week of August onwards. From then it was just a case of hoping that all of the years hard work in the vineyard meant that the grapes got to phenolic and flavour ripeness before the leaves had completely turned colour.

Flowering was over very quickly and evenly, and without any wind like last year, we saw a very good fruit set and even ripening. Pinot clusters in Savigny-lès-Beaune were super tight like little hand grenades and thus pourriture was a constant threat all season and started to rear it’s ugly head in mid August. Those who did the necessary work opening canopies, dropping rotten clusters and doing a severe triage in the vineyard and/or winery will be the ones who got the most out of this vintage for reds. In my vineyard of Aux Fourneaux I saw some neighbours with up to 40% rot come harvest time! The hard work my mates did two weeks before vintage in cutting out the pourriture and doing a complete leaf picking in the fruit zone of the northern side of the vines saw us with less than 5% rot at harvest. Berries were definitely on the big side compared to 2010 due to the July rains but we saw great phenolic maturity (tannins were ripe and fine). Vintage was over very quickly as everyone tried to get ahead of the rot and the vines shutting down. There was a lot of “panic picking” by some vignerons – by the time I picked the Aux Fourneaux there was basically only myself, Benjamin Leroux and Chandon de Brailles still left out there amongst my neighbours in the villages section. I hope this is another year where patience pays off but it is still early days, being pre-malolactic fermentation and élevage.

I firmly believe that 2011 will be a stellar year for whites in the Côte de Beaune. Clusters were super open, allowing every grape to get to flavour and phenolic ripeness with no rot pressure at all. Some oidium started to set in on the top of the shoots from mid-August which probably slowed ripening a bit but luckily never spread to the fruit, again perhaps because of the open clusters. Flavours are super concentrated without losing the verve or minerality of great Burgundian Chardonnay. Tartaric and Malic acid levels were in perfect balance (compared to 2010 when they were in a 1:1 ratio, this year we saw the magic 2:1). Again, early days but could easily be on par with the cracking 2007s.

So definitely a challenging year for the first year of Le Grappin wines. I think my five years spent working in New Zealand, USA, Australia and Burgundy after quitting my career over a bottle of Dujac paid off as one really needed to think hard about how to vinify and best express the vintage and the terroir this year. I am very excited to see how the wine develops in barrel but I feel I captured the sexiness of Savigny Reds and the nervousness of the whites that 2011 brought. One can hope!

A bit late, I know, but harvest was super crazy and I didn’t get a chance to post this earlier but here are some photos from the whites which we harvested on the 5th of September.

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Dawn Patrol Version 2.0

Dawn Patrol Version 2.0

Like with the red harvest, we got into the vines at dawn to try and get the grapes into the cuverie before the heat of the day. We got lucky and the day was quite cool — average temperature of the grapes at pressing was 14ºC.

Beautiful Chardonnay bunches

Beautiful Chardonnay bunches

2011 is a great year for whites. Not only was there a good crop but the bunches were very open, allowing the sun to get in and get every berry to flavour ripeness. As good as 2007 in my opinion!

Picking with small bins

Picking with small bins

In order to make sure that the grapes got into the cuverie uncrushed we used smaller picking bins than is common in Burgundy. Once grapes are crushed they oxidise very quickly and I wanted that to happen in the press, not in the vineyard. Plus it was much easier for us to carry down the steep slopes!

Ed hard at work

Ed hard at work

One of the guys who stayed with us for harvest, Ed Levy, in the Dessus Les Vermots vineyard — one of my three plots this year. You can see how steep the vineyard is behind Ed. Total champ! This year the grapes from Dessus Les Vermots has made a wine that is super zingy and linear with citrus flavours. Totally my type of Chardonnay!

Chilling the juice

Chilling the juice

I decided on a program of oxidising the juice in the press tray and then chilling the juice down below 10ºC to get all the phenolics to settle out. It is quite scary to see how brown the juice was but I had to trust my wine science knowledge that it would all go clear! The mist is from dry ice which I used to chill the juice down — almost 200 kg worth. Expensive stuff but well worth it as I got crystal clear juice and the solids settled in layers so I could just take the best solids for the ferment. Money well spent.

100% Barrel fermented

100% Barrel fermented

Chardonnay reaches it's greatest complexity when fermented in barrel. I mainly used Tonnellerie Damy barrels with a few older François Frères. Each vineyard has given a different wine. Dessus Les Vermots is super linear and citrusy. Les Saucours is broader with honeydew notes and Les Gollardes is probably the most complete wine — linear, mineral but with good balance on the palate. Should make a cracking blend!

After pressing the Savigny-lès-Beaune “Aux Fourneaux” Pinot Noir on Wednesday, I settled the wine in tank for a few days to ensure only the tastiest (and lightest) lies made it into barrel. Barreling straight from the press doesn’t allow you to select how much or what type of lies makes it into the wine for ageing. In a year like this where I want to emphasise the freshness I only want the finest lies; one to ensure that any remaining sugar gets gobbled up in barrel (as lies are dead yeast cells) and two, I am not looking for broadness that more lies contact can give in a year like 2011, which for me, is all about freshness and verve.

Once the fine lies were selected, I then sent the wine to barrel which filled just (and I mean just, only litres to spare!) six pièces (Burgundian term for a 228L barrel). I was very lucky to be able to buy some second hand barrels from a famous domaine in the Côte de Nuits to complement my one new barrel from Stephané Chassin which you can see me filling above. After seeing the wine from berry through ferment I decided on a program of one new barrel, one barrel that had wine in it for one vintage, three that had been used twice and one that had been used three times. Hopefully this is the right decision but I am erring on the side of less-is-more with regards to oak in the 2011 vintage.

After 20 days on skins, it was time to get the wine out of the wooden fermenting tank and into a press. I decided to press earlier than I may have done in a perfect world but I wanted to preserve the fine tannins that I had extracted during fermentation without having the wine being distracted by firmer tannins that come from leaving the wine on skins for a longer period of time. In another year, but that is not what Bacchus brought this year, and one must endeavour to highlight the best qualities of the vintage which for me this year is fresh flavours and fine tannins.

The most delicate pressing is one done vertically as it doesn’t rip the skins or crush the seeds. The downside is that you don’t get as much wine as you may do with a pneumatic press which you can rotate and thus get rid of any hidden pockets of wine.

Thanks to my great mate, Ray Walker of Maison Ilan, I was able to borrow his ancient wooden basket press made by the house of E. Cherreau — from what the local winemakers in Savigny-lès-Beaune tell me was the best producer of pressoirs and foudres at the time. It took a lot of effort — at one stage there were five of us pushing the handle around — but the results were well worth it as you can see below: —

The mouthfeel of the press wine from the lies (dead yeast cells, mainly) and the greater tannin extraction was spectacular and will make a great foil to the delicacy of the wine that ran free from the tank.

Running the free run wine off (the wine that comes easily off the skins without need for pressing—about 80% of the total amount) was drained in 15 minutes. Putting together the press, digging all of the skins out of the tank, pressing the skins and then cleaning up took us another 8 hours for only a barrel of wine. What love went into this cuvée!

Using a hundred year old press sure was a lot of fun and definitely reinforced my growing reputation in Savigny-lès-Beaune as l’êtranger con (crazy foreigner or idiot foreigner depending on how kind you are being to yourself that day) as we had a steady stream of wine makers visiting all day as the word got out around the village.

Check out the slideshow for more of the fun we got up to: —

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Kelly digging out like a pro!

Kelly digging out like a pro!

With such as small cuverie there was no chance of getting a large, unwieldy, ancient press in there so that meant digging the skins into 30L tubs and then walking them outside to the waiting press.

Hard yakka digging out

Hard yakka digging out

Being the winemaker, I (of course) got to jump in and finish the dig — grab all the glory and such.

Laying the boards

Laying the boards

Looks easy, but trust me on this one. Once all the skins are in the press, you need to lay boards on top to evenly distribute the pressing force. Tetris meets jigsaw puzzle!

Like slaves on a galley — heave!

Like slaves on a galley — heave!

Simon Davies, a former colleague of mine from my days in Publishing, and one of his best mates, Joe, were persuaded to make a dash from Alsace where they were on holiday to help with the pressing. A good day to have two burly guys to move the press head down onto the boards. No wonder one of the oldest winemakers in the village said the last time he saw a vertical press used without at least a belt motor was 1968!

At least I was nice enough to look after my cellar slaves

At least I was nice enough to look after my cellar slaves

2008 Pierro and 2009 Etienne Sauzet Puligny-Montrachet 1er Cru "Les Folatières" to keep hydration levels high.

Breaking up the marc, old skool!

Breaking up the marc, old skool!

The pressing took about four hours and we tightened the screw only when the wine really slowed down it's flow. If you press too quickly you can be left with pockets of wet marc (read lost wine) — as this press is already pretty inefficient at getting wine out, no point losing any more. After four-ish hours, the marc (pressed skins) was very hard and we needed to use an old Grappin to rip it up so we could get the pressed skins out and off to the distillerie.

Sometimes it helps to have someone smaller than us brutes around

Sometimes it helps to have someone smaller than us brutes around

Kelly again was very game to jump into the press to get the marc out and off to the distillerie. As you can see, there is not a lot of room in there. She sure hasn't let the whole "Assistant Winemaker" at one of Australia's top Shiraz producers go to her head!

Team Decuvage celebrating the end of a long day.

Team Decuvage celebrating the end of a long day.

Joe, Kelly and Simon enjoy a well-earned bottle of Champagne — in this case a Bereche et Fils Les Beaux Regards, a zero dosage 100% Chardonnay. Talk about zingy! Thank you very much guys. I have been so lucky to have such great friends all harvest, that is for sure!

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Yep, that’s me in the wooden tank doing a traditional pigeage with my feet. Traditionally one would get in naked, but modesty and since I had a good friend spotting me, I decided not to embarrass myself. Pigeage is very dangerous so NEVER do it alone! Too many people have died over the years from asphyxiation from the CO2 released including a father and son a few years back in Burgundy.

With this year being a lighter year in Savigny-lès-Beaune I really wanted to emphasise the fresh red-fruit sexiness that make Savigny so special to me so I relied mainly on remontage (taking a portion of the fermenting juice and pouring it back over the top) which is a less extractive form of fermentation management. I only did the one hard pigeage during ferment, right at the end, to release any sugars that were still inside any whole berries.

I am very happy with the results so far — the tannins are very fine and the structure is from the terroir — my vineyard borders on Aloxe-Corton and as such has a firmer body than many Savigny vineyards — rather than from being aggressive with the cap.

Décuvage is a few days away, Tuesday or Wednesday perhaps, to give the wine a few days to recover and tannins to meld before pressing. Exciting to see the wine come together!

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The Dawn Patrol at attention

The Dawn Patrol at attention

The team arrived in the vineyard for the first grapes of the inaugural vintage for Le Grappin. We started at 6am — little did we know that we would still be working 25 hours later. Ahh, the naïveté!

Beautiful Pinot!

Beautiful Pinot!

All our hard work doing a vendages pourri left us with lovely grapes with phenolic ripeness and fresh fruit flavours. On attaque!

L'equipe Knox

L'equipe Knox

Paris and Brian Knox, two mates from the US, harvest the vines. We left all the most beautiful, old vines which were harvested separately and added as whole cluster — about 10% of total.

Mates working hard

Mates working hard

Taken at 3am we were still hard at work making sure only the best berries made it into the vat. I was very lucky to have such a great group of friends who were very happy to help after so many hours without a break. Hopefully my winemaking will make all their efforts worthwhile.

Fruit on the handmade sorting table

Fruit on the handmade sorting table

Grapes look very healthy despite great disease pressure this year. A little on the big size compared to 2010 but I was pretty happy with the quality of what made it into the cuverie. Thanks again to Brian Knox for his amazing bricolage skills in making the sorting table on short notice. Mad props!

Destemming at 5am

Destemming at 5am

Once all the grapes were sorted it was time to fire up the egrappoir. I decided to destem 90% of the fruit, a little more than I would like in a perfect world but we couldn't find anymore of the most lovely clusters to chuck in whole. The 10% whole cluster was laid in the middle and again at the top of the cuve to best promote whole berry fermentation and deliver the lovely feminine qualities. Three of us were at attention on the elevateur as well to pick out any jacks (stems that made it through the detemmer).

The team at 7am

The team at 7am

All the fruit was finally in the cuve at 7am, layered with dry ice to take the must down to 14ºC for a cold maceration which in a year like this is essential (in my most humble of opinions). Despite 25 hours on the trot, everyone managed to maintain grace — a great ambience for the first vintage of Le Grappin. Thanks guys!

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Tomorrow we commence by picking my Pinot Noir in Aux Fourneaux. Fruit tastes great and the vines are shutting down as you can see from the leaves turning orange. Lovely phenolic ripeness so it’s time to go. I have some incredible friends from Australia, South Africa, USA and the UK who will be helping me tomorrow.

Our work earlier this week picking out any pourriture (rot) definitely paid off. Acids have turned from green to balanced and flavours are still fresh.

I hope I get a chance to post tomorrow as I am so excited to get going. So much so that we will be in the vines from 6am to start!

With the cooler weather we have been having we have a great opportunity to let the grapes hang and really develop some killer complexity. The problem? Grapes with mounting sugars are more at risk day by day from pourriture (rot). So we went into Pinot vineyard where a small amount of rot has developed to cut it out, open up the canopy and create the best conditions possible. The time spent in the vineyard is always paid back ten fold in the winery. A winemaker can only make a wine as good as the grapes!

As we are approaching ripeness, I am now also taking pH and Titratable Acidity readings. The progress of pH and Titratable Acidity, for me, is a much better sign of grape maturity than sugars.

Today’s numbers: -

Aux Fourneaux (Rouge) – 11.0 º Potential Alcohol, pH 3.00, TA 5.6
Dessus Les Vermots (Blanc) – 11.5 º Potential Alcohol, pH 2.99, TA 5.3
Les Gollardes (Blanc) – 11.4 º Potential Alcohol, pH 3.00, TA 5.5
Les Saucours (Blanc) – 11.2 º Potential Alcohol, pH 3.01, TA 5.2

Looking good! Maybe Monday (5th) for the whites, mid to late next (7-10th) for the red? If this great weather continues, sure!

 

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